Database
Century of Relativity. Permanent Exhibition of 20th Century Fine Arts
November 14 2013, Start and end datesJune 30 2016, Start and end dates
Olomouc Museum of Art (Muzeum moderního umění/ Museum of Modern Art, Mansarda/ Attic (1890–1946), Obrazárna/ Picture Gallery (1947–2000))
Václav Cigler
Milan Knížák
Jiří Kolář
Karel Malich
Ludmila Padrtová
Zdeněk Sýkora
Aleš Veselý
Běla Kolářová
Jiří David
Stanislav Kolíbal
Adriena Šimotová
Milan Dobeš
Rudolf Fila
Alex Mlynárčik
Monogramista T.D (Dezider Tóth)
Jana Želibská
Juraj Bartusz
Laco Teren
László Fehér
Jovánovics György
István Nádler
Dóra Maurer
Sándor Pinczehelyi
Endre Tót
Magdalena Abakanowicz
Tadeusz Kantor
Ryszard Winiarski
Alfred Lenica
Kazimierz Mikulski
Włodzimierz Pawlak
Jerzy Ryszard Zieliński
Hugo Demartini
Radoslav Kratina
Jan Kubíček
Jerzy Ryszard /Jurry/ Zieliński
Exhibiting artists
Imre BakVáclav Cigler
Milan Knížák
Jiří Kolář
Karel Malich
Ludmila Padrtová
Zdeněk Sýkora
Aleš Veselý
Běla Kolářová
Jiří David
Stanislav Kolíbal
Adriena Šimotová
Milan Dobeš
Rudolf Fila
Alex Mlynárčik
Monogramista T.D (Dezider Tóth)
Jana Želibská
Juraj Bartusz
Laco Teren
László Fehér
Jovánovics György
István Nádler
Dóra Maurer
Sándor Pinczehelyi
Endre Tót
Magdalena Abakanowicz
Tadeusz Kantor
Ryszard Winiarski
Alfred Lenica
Kazimierz Mikulski
Włodzimierz Pawlak
Jerzy Ryszard Zieliński
Hugo Demartini
Radoslav Kratina
Jan Kubíček
Jerzy Ryszard /Jurry/ Zieliński
Magdalena Abakanowicz, 12 seated figures, 1974 – 1976 (sculpture)
István Nádler, Active yellow, 1968 (painting)
Sándor Pinczehelyi, And again (diptych), 1973 – 2002 (mixed media)
Sándor Pinczehelyi, And again (diptych), 1973 – 2002 (mixed media)
Milan Knížák, Demonstration on all senses, 1964 (photography)
Victor Vasarely, HARMAS, 1966 (mixed media)
Jiří David, INRI, 1987 (painting)
László Fehér, The Italian scene with angel, 1986 (painting)
Milan Dobeš, Kinetic relief - kinetic object, 1968 (sculpture)
Jan Koblasa, Labyrinth of the World, 1958 (sculpture)
Václav Cigler, Landscape devastated by industry (photography)
Václav Cigler, Landscape reclaimed by nature (project), 1965 (photography)
Ludmila Padrtová, Blue, 1957 (painting)
Ryszard Winiarski, Area 132, 1973 (painting)
Aleš Veselý, Picture - Object, 1960 (mixed media)
Jiří Kolář, Poem of silence, suburban poem, 1962 (mixed media)
Jovánovics György, Polish relief 81,12,13 (for V. W.), 1981 (sculpture)
Imre Bak, Postgeometry, 1982 (painting)
Dóra Maurer, Quasi-image 101, 1983 (painting)
Hugo Demartini, Relief, 1964 (sculpture)
Dóra Maurer, Reverse and variable phase of movements/ Etude no. 8, 1972 – 1974 (mixed media)
Jana Želibská, She, 1967 (painting)
Juraj Bartusz, Spatio-temporal Sculpture, 1978 (sculpture)
Karel Malich, Silver Corridor, 1970 (sculpture)
László Fehér, Steps, 1989 (painting)
Tadeusz Kantor, Still Life Figure, 1950 (painting)
Laco Teren, Dance of Death, 1989 (painting)
Victor Vasarely, TEREK, 1951 (painting)
Zbyněk Sekal, Dead Head, 1957 (sculpture)
Jiří Kolář, The Turkish Bath, 1965 – 1969 (mixed media)
Milan Knížák, Untitled, 1964 – 1979 (mixed media)
Jiří Kolář, [Untitled], 1971 (mixed media)
Jerzy Ryszard /Jurry/ Zieliński, Untitled, mid 1970s (painting)
Běla Kolářová, Untitled (from the series Dishes), 1966 (mixed media)
Alfred Lenica, Zatrucie Farba IV - Plamy na niebie a ziemi, 1956 (painting)
The presentation portrays the best of a broad spectrum of works – often contradicting in ideas and styles of which we can identify as important, or even, without exaggeration, crucial not only for Czech modern and contemporary art. On this basic aim focuses the Olomouc Museum of Art in the perment exposition of 20th century in Central European context. Next to the basic streams in Czech modern art of this period includes artworks of exile authors and prominent Polish, Hungarian, and Slovak authors as well.