Michal Kern│…na papieri 2

Gallery 19 offers a view to creating distinctive representative of slovak form of land art Michael Kern, who pointed to the natural events in his often unnoticed, everyday life  (flow of water, melting snow or shadow transformation) and sensitively introduced traces of human presence and participation. 

Milan Knížák│Live Differently

The exhibition of Milan Knížák in the Gallery of Art in Karlovy Vary is conceived as an "incomplete retrospective" focused primarily on the creative part of his work. The phrase "Live Differently" used in the title of the exhibition can be perceived as the most distinctive feature of the author's work.

Rudolf Sikora│The Earth Must Not Become a Dead Planet

The exhibition of Rudolf Sikora in Artwall Gallery focuses on the dangers caused to our planet by human activity. The exhibited series “The Earth Must Not Become a Dead Planet” originated more than forty years ago (in 1972) yet it message is more pressing than ever before. The exhibition raises a question of how has the relationship of our society to the environment changed during the political transformation of recent decades. The answer the artist gives us is that we must stop continuation of the unsustainable development. The survival of all mankind depends on changing our approach.

Magdalena Abakanowicz. Metamorphism

The exhibition commemorating the accomplishments of Magdalena Abakanowicz, one of the most important XX-century artists. The goal of the exhibition is to highlight those matters in her artistic output, which most evidently show the revolutionary changes introduced by the artist to the language of art.

Open Call pro umělce: Plynutí času při příležitosti výstavy Jozefa Jankoviče

CEAD & Muzeum umění Olomouc vyhlašují otevřenou výzvu pro umělce při příležitosti konání výstavy sochaře Jozefa Jankoviče (12. 10. 2017 – 11. 3. 2018), jednoho z nejvýraznějších představitelů poválečného slovenského umění.

Vizuální umělci z různých oborů a zemí jsou vítáni se svými uměleckými projekty v elektronické podobě:
pohyblivý/statický obraz, animace, video, nová média.

Uzávěrka pro podání přihlášek je prodloužena až do 7. 1. 2018.

Conference: Adriena Šimotová in the Context of Visual Art and Culture from the 20th Century Onwards

Conference prepared by the Adriena Šimotová and Jiří John Foundation, in association with the Faculty of Humanities of Charles University and the Art Theory and History Department of the Academy of Arts, Architecture, and Design in Prague, to commemorate the 90th anniversary of the birth of Adriena Šimotová. The conference is being held under the aegis of J. E. Charles Malinas, the French Ambassador to the Czech Republic, Adriana Krnáčová, the Mayor of Prague, and Tomáš Zima, the Rector of Charles University.
Venue: Patriotic Hall, Carolinum, Ovocný trh 3, Praha 1

XXL Views of Contemporary Slovak Art | GASK

‘XXL Views of Contemporary Slovak Art’ is a long-term exhibition project that presents leading Slovak artists.  The artists are presented in a direct dialogue with recognised Slovak, Czech and international art historians, critics and theoreticians who focus on their work. It is the most important programmatic survey of Slovak art in the Czech Republic. The exhibition series was staged at the Slovak Institute in Prague from 2011 and has been staged at GASK since 2014.

Conference to mark the centenary of the beginning of Dada in Zurich: DADA TECHNIQUES IN EAST-CENTRAL EUROPE (1916–1930)

The ‘Petőfi Literary Museum – Kassák Museum’ and the ‘Institute for Literary Studies of the Hungarian Academy of Sciences’ are organizing a conference to mark the centenary of the beginning of Dada in Zurich. The conference is going to concentrate on Dada phenomena in East-Central Europe, especially the Dada techniques that appeared in the Austro-Hungarian Empire and its successor states.

MeetFactory (CZ) | Fightlessness

The Hungarian art group Little Warsaw (András Gálik and Bálint Havas) belongs to the most striking artists of their generation, which emerged on the contemporary art scene after the year 1989. Their work is closely connected with issues specific in the context of former Eastern Bloc countries – analysis and re-contextualization of objects and ideas from the past, deconstruction of common art forms, a striking anti-establishment attitude, a critical mirror held up to modernism, retro-avant-garde, conceptualism and neo-conceptualism, the expansion of the borders of art and transfer of artistic discourse into a broader social reality.
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Muzeum umění Olomouc 2011-2016